Top 10 similar words or synonyms for emphasize

evaporate    0.981243

committed    0.975939

relieve    0.967656

supposed    0.967353

occupy    0.966761

morale    0.964411

harrenhal    0.964180

tries    0.962995

costly    0.962499

compensate    0.961329

Top 30 analogous words or synonyms for emphasize

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ඝරණ The gharanas have distinct styles of presenting the khyal — how much to emphasize and how to enunciate the words of the composition, when to sing the sthayi and antara, whether to sing an unmetered alap in the beginning, what kinds of improvisations to use, how much importance to give to the rhythmic aspect, and so on. However, an individual performer from a gharana may choose to borrow appealing stylistic aspects of another gharana in his or her gayaki. The prominent khyal gharanas are:
Fair use However, since this case, courts have begun to emphasize the first fair use factor—assessing whether the alleged infringement has "transformative" use as described by the Hon. Judge Pierre N. Leval. More recently, Koons was involved in a similar case with commercial photographer Andrea Blanch, regarding his use of her photograph for a painting, whereby he appropriated a central portion of an advertisement she had been commissioned to shoot for a magazine. In this case, Koons won; the case sets a favorable precedent for appropriation art where the use is deemed transformative.
ඉලෙක්ට්‍රා සංකීර්ණය දුව-සහ-මව අතර මනෝලිංගික ගැටුම සඳහා යොදන මනෝවිශ්ලේෂණවාදී පදයක් වන "ඉලෙක්ට්‍රා සංකීර්ණය", බිඳී එන්නේ ග්‍රීක පුරාණෝක්ති කතාවල එන චරිතයක් වන ඉලෙක්ට්‍රා වෙතිනි, තම පියා වූ ඇගමෙම්නන්ව ඝාතනය කිරීම නිසා ඇය තම මව වන ක්ලිටෙමෙස්ට්‍රා සහ සුළු පියා වන එජිස්තස්ට එරෙහිව යමින් තම සොහොයුරා වන ඔරෙස්ටීස් සමග මව ඝාතනය කිරීමට කුමන්ත්‍රණය කරයි (සොෆොක්ලීස්ගේ "ඉලෙක්ට්‍රා" නාට්‍යය අනුව). සිග්මන්ඩ් ෆ්‍රොයිඩ් ලිංගික සංවර්ධන න්‍යායේ කාන්තා පැතිකඩ නිර්මාණය කළ අතර—තම පියාගේ ලිංගික ස්වාමිත්වය සඳහා මව සමග දැරියකගේ ලිංගික තරඟයේ මනෝගති විද්‍යාව ඔහු පැහැදිලි කළේ—ගැහැණු ඊඩිපස් ආකෘතිය සහ ඍණාත්මක ඊඩිපස් සංකීර්ණය ලෙසිනි; තවද 1913 දී ඉලෙක්ට්‍රා සංකීර්ණය යන පදය විශේෂයෙන් ම ඉදිරිපත් කළේ ඔහුගේ සඟයෙක් වූ කාල් යුං විසිනි. ෆ්‍රොයිඩ් යුංගේ පදය මනෝවිශ්ලේෂණවාදයට අනුව සාවද්‍යක් ලෙස ප්‍රතික්ෂේප කළේය: "that what we have said about the Oedipus complex applies with complete strictness to the male child only, and that we are right in rejecting the term 'Electra complex', which seeks to emphasize the analogy between the attitude of the two sexes".
Decltype In 2002, Bjarne Stroustrup suggested extending the C++ language with mechanisms for querying the type of an expression, and initializing objects without specifying the type. Stroustrup observed that the reference-dropping semantics offered by the codice_4 operator provided by the GCC and EDG compilers could be problematic. Conversely, an operator returning a reference type based on the lvalue-ness of the expression was deemed too confusing. The initial proposal to the C++ standards committee outlined a combination of the two variants; the operator would return a reference type only if the declared type of the expression included a reference. To emphasize that the deduced type would reflect the "declared type" of the expression, the operator was proposed to be named codice_1.
ඛ්‍යාල් Khayal was popularized by Niyamat Khan (a.k.a. Sadarang) and his nephew Firoz Khan (a.k.a. Adarang), both musicians in the court of Muhammad Shah Rangile (1719–1748). It seems likely that ඛ්‍යාල් already existed at the time, although perhaps not in the present form . The compositions of Sadarang and Adarang employ the theme of Hindi love-poetry. The ඛ්‍යාල් of this period also acquired the dignity of Dhrupad and the manner of the veena in its glide or meend, plus a number of musical alankars that were introduced into the body of the composition . The gharana system arose out of stylistic rendering of the ඛ්‍යාල් by various subsequent generations of musicians. The gharanas have distinct styles of presenting the ඛ්‍යාල් — how much to emphasize and how to enunciate the words of the composition, when to sing the sthayi and antara, whether to sing an unmetered alap in the beginning, what kinds of improvisations to use, how much importance to give to the rhythmic aspect, and so on.