Top 10 similar words or synonyms for propertius

tibullus    0.905390

theocritus    0.879056

alcaeus    0.853837

ennius    0.851051

callimachus    0.843024

statius    0.839975

catullus    0.834855

fabulae    0.833990

persius    0.828994

eclogues    0.824201

Top 30 analogous words or synonyms for propertius

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Propertius Propertius' fame rests on his four books of elegies, totaling around 92 poems (the exact number cannot be known as over the intervening years, scholars have divided and regrouped the poems creating doubt as to the precise number). All his poems are written using the elegiac couplet, a form in vogue among the Roman social set during the late 1st century BC.
Propertius It is difficult to precisely date many of Propertius' poems, but they chronicle the kind of declarations, passions, jealousies, quarrels, and lamentations that were commonplace subjects among the Latin elegists. The last two poems in Book III seem to indicate a final break with her ("versibus insignem te pudet esse meis" - "It is a shame that my verses have made you famous"), and Cynthia died some time before the publication of the final book IV. In this last book Cynthia is the subject of only two poems, best regarded as a postscript. The bi-polar complexity of the relationship is amply demonstrated in a poignant, if amusing, poem from the final book. Cynthia's ghost addresses Propertius from beyond the grave with criticism (among other things) that her funeral was not lavish enough, yet the longing of the poet remains in the final line "inter complexus excidit umbra meos." - "Her shade then slipped away from my embrace."
Propertius Sextus Propertius was a Latin elegiac poet of the Augustan age. He was born around 50–45 BC in Assisium and died shortly after 15 BC.
Propertius Very little information is known about Propertius outside of his own writing. His praenomen "Sextus" is mentioned by Aelius Donatus, a few manuscripts list him as "Sextus Propertius", but the rest of his name is unknown. From numerous references in his poetry it is clear he was born and raised in Umbria; modern Assisi claims for itself the honor of his birthplace. As a boy his father died and the family lost land as part of a confiscation, probably the same one which reduced Virgil's estates when Octavian allotted lands to his veterans in 41 BC. Combining this with cryptic references in Ovid implying he was younger than his contemporary Tibullus, a birthdate after 55 BC seems appropriate.
Propertius The publication of a third book came sometime after 23 BC. Its content shows the poet beginning to move beyond simple love themes, as some poems (e.g. III.5) use "Amor" merely as a starting point for other topics. The book also shows the poet growing tired of the demanding yet fickle Cynthia, and implies a bitter end to their torrid love affair. Book IV, published sometime after 16 BC, displays more of the poet's ambitious agenda, and includes several aetiological poems explaining the origin of various Roman rites and landmarks.
Propertius Like nearly all the elegists, Propertius' work is dominated by the figure of a single woman, one he refers to throughout his poetry by the pseudonym Cynthia. She is named in over half the elegies of the first book and appears indirectly in several others, right from the first word of the first poem in the "Monobiblos":
Propertius The text contains many syntactic, organizational and logical problems as it has survived. Some of these are no doubt exacerbated by Propertius' bold and occasionally unconventional use of Latin. Others have led scholars to alter and sometimes rearrange the text as preserved in the manuscripts.
Propertius Propertius is the lyrical protagonist of Joseph Brodsky's poem "Anno Domini" (1968), originally written in Russian. His relationship with Cynthia is also addressed in Robert Lowell's poem, "The Ghost."
Propertius Book IV strongly indicates Propertius was planning a new direction for his poetry. The book includes several aetiological poems which, in reviewing the mythological origins of Rome and its landmarks, can also be read as critical—even vaguely subversive—of Augustus and his agenda for the new Rome. The position is currently a subject of debate among modern classicists. The final poem is a touching address by the recently deceased Cornelia consoling her husband Paullus and their three children. Although the poem (given Cornelia's connection to Augustus' family) was most likely an imperial commission, its dignity, nobility, and pathos have led critics to call it the "queen of the elegies", and it is commonly considered the best in the collection.
Propertius Propertius himself says he was popular and even scandalous in his own day. Horace, however, says that he would have to "endure much" and "stop up his ears" if he had to listen to "Callimachus...to please the sensitive stock of poets"; Postgate and others see this as a veiled attack on Propertius, who considered himself the Roman heir to Callimachus. This judgement also seems to be upheld by Quintilian, who ranks the elegies of Tibullus higher and is somewhat dismissive of the poet, but Propertius' popularity is attested by the presence of his verses in the graffiti preserved at Pompeii.