Top 10 similar words or synonyms for pagliacci_leoncavallo

tosca_puccini    0.898322

rigoletto_verdi    0.875777

elisir_amore_donizetti    0.865759

la_bohème_puccini    0.857283

otello_verdi    0.854748

la_traviata_verdi    0.841616

gino_bechi    0.840839

lombardi_alla_prima_crociata    0.840522

adriana_lecouvreur    0.840138

ruggero_leoncavallo_pagliacci    0.839692

Top 30 analogous words or synonyms for pagliacci_leoncavallo

Article Example
Dalia Ibelhauptaitė "I Pagliacci" Leoncavallo (Congress Palace, Lithuania)
Mostyn Thomas His voice was discovered at the Ammanford Eisteddfod, and the local community of Blaina collected money for him to be trained at La Scala Milan. Mostyn has his debut as Tonio in Pagliacci (Leoncavallo) in 1929.
Chon Wolson In 1985, Chon Wolson sang the leading part in two operas - Poulenc's "La voix humaine" and Ravel's "L'heure espagnole" . She later went on to sing leading parts in "The Marriage of Figaro" (Mozart), "The Turn of the Screw" (Britten), "Pagliacci" (Leoncavallo), "Madama Butterfly" (Puccini), "Salome" (Richard Strauss), "Carmen" (Bizet), and "La traviata" (Verdi).
Mario Del Monaco Del Monaco sang at the New York Metropolitan Opera from 1951 to 1959, enjoying particular success in dramatic Verdi parts such as Radamès. He soon established himself as one of four Italian tenor superstars who reached the peak of their fame in the 1950s and '60s, the others being Giuseppe Di Stefano, Carlo Bergonzi and Franco Corelli. Del Monaco's trademark roles during this period were Giordano's Andrea Chénier and Verdi's Otello. He first tackled Otello in 1950 and kept refining his interpretation throughout his career. It is said that he sang Otello an astonishing 427 times. However, the book published by Elisabetta Romagnolo, "Mario Del Monaco, Monumentum aere perennius, Azzali 2002", lists only 218 appearances by him as Otello, which is a more realistic figure. Aptly, the tenor was buried in his Otello costume. Although Otello was his best role, throughout his career, Del Monaco sang a number of other roles with great acclaim, for example: Canio in "Pagliacci" (Leoncavallo), Radames in "Aida" (Verdi), Don Jose in "Carmen" (Bizet), Chenier in "Andrea Chénier" (Giordano), Manrico in "Il trovatore" (Verdi), Samson in "Samson and Delilah" (Saint-Saëns), and Don Alvaro in "La forza del destino" (Verdi).