Top 10 similar words or synonyms for culturii

politice    0.877127

privind    0.868317

poporului    0.866355

unei    0.866310

istoriei    0.865901

poeziei    0.860847

academiei    0.860393

studiu    0.855452

muzeul    0.854368

moldovei    0.853227

Top 30 analogous words or synonyms for culturii

Article Example
Bogdand 1. D. Oltean, K. Imola, S. Vasile, N. Bledea: "Ghidul Muzeului Maghiar Bogdand", Ministerul Culturii, Direcția pentru Miorități Naționale
Cezar Papacostea His many books included "Evoluția gândirii la greci", 1919; "Diodor Sicilianul și opera sa", 1921; "Între divin și uman. O problemă a culturii elenice", 1921; "Problema destinului în tragedia greacă", 1925; "Filosofia antică în opera lui Eminescu", 1930; "Platon. Viața. Opera. Filosofia", 1931; "Sofiștii în antichitatea greacă", 1934 and "Ștefan Zeletin, Viața și opera lui", 1935. Together with Valaori and Gheorghe Popa-Lisseanu, he published editions of classical authors, including Livy, Virgil and Xenophon; grammars of Latin and Greek; verse manuals and anthologies. He wrote translations of Plato and Homer.
Virgil I. Bărbat A prolific author, Bărbat penned articles and studies in sociology, pedagogy and politics in a number of magazines, both domestic and foreign, as well as books. Among his volumes of sociology are "„Naționalism” sau „Democrație”" ("'Nationalism' or 'Democracy'", 1911), a response to Aurel Popovici's "Naționalism sau Democrație"; "Extensiunea Universitară" ("The University Extension", 1926); "Premisele umane ale culturii moderne" ("The Human Premises of Modern Culture", 1927); "Dinamism cultural" ("Cultural Dynamism", 1928) and "Exproprierea culturii" ("The Expropriation of Culture", 1928). In 1924, he founded an institution he called the university extension, meant to bring culture to the masses and through which he intended to apply his plan for cultural politics. In 1931, he established "Revista de sociologie", the only magazine devoted to sociology in interwar Cluj. By the 1920s, he was writing intensely for five or six journals, while the extension, centered on a group of prestigious Cluj professors who would hold lectures throughout Transylvania, including in isolated villages, managed to hold over 900 conferences in four years.
Petre P. Negulescu "Geneza formelor culturii", which sought to discover the natural preconditions of individual philosophical stances, was primarily a critique of popular biological determinism, including degeneration theory and psychoanalytic theory. To these, he opposed a combination of functionalism, mutationism, and environmental determinism. In "Geneza", but also in his public pronouncements, Negulescu stood out as a vocal antifascist and a critic of scientific racism. He had a polemic with the staff of the far-right "Gândirea", arguing against them that neither biology, nor the Romanian Orthodox ethos, made for concrete realities in grounding national identity and a "national philosophy"; in his view, "nation" was a social construct with no biological basis. Moreover, Negulescu separated "peaceful and productive" liberal nationalism from its ethnic counterpart. Implicitly and explicitly, Negulescu also took a stand against the radically fascist and antisemitic Iron Guard.
Nicolae Iorga In 1921 and 1922, the Romanian scholar began lecturing abroad, most notably at the University of Paris, while setting up a Romanian School in the French capital and the "Accademia di Romania" of Rome. In 1921, when his 50th birthday was celebrated at a national level, Iorga published a large number of volumes, including a bibliographic study on the Wallachian uprising of 1821 and its leader Tudor Vladimirescu, an essay on political history ("Dezvoltarea așezămintelor politice", "The Development of Political Institutions"), "Secretul culturii franceze" ("The Secret of French Culture"), "Războiul nostru în note zilnice" ("Our War as Depicted in Daily Records") and the French-language "Les Latins de l'Orient" ("The Oriental Latins"). His interest in Vladimirescu and his historical role was also apparent in an eponymous play, published with a volume of Iorga's selected lyric poetry.